Ilaria del Carretto - Eternal Beauty
Ilaria, a symbol of eternal love, is the echo of a life cut short too soon, yet never forgotten.
1. In my eyes, the light of memories (Portrait)
Do you see me, or just my reflection? I am here and elsewhere, suspended between time that flows and the echo of what I once was.
2. In marble, my breath (The Sculpture and the Ornament)
They carved my skin into marble, but I was life, warmth, love. The folds of my dress still whisper movement, a breath of what was. I am stone, yet I remain.
3. Time consumes everything—except love (The Iron Heart)
Time slips away, but the love within never fades. It hides in the shadows, turns into light, transforms. It does not vanish. And I still love.
Ilaria del Carretto, an effigy of timeless beauty, embodies a love that defies death and the passing years. This triptych brings her back into the light, pulling her from the silence of marble so she may shine once more—like a memory that never dies. Her image becomes a symbol of devotion that transcends time, a love that never ends, an emotion that endures beyond death. Her sculpted face still makes her eternal and unforgettable.
Analysis of the Three Images of Ilaria del Carretto
A young woman’s face emerges, a memory refusing to fade. Red burns, cyan holds its breath. It is the fragment of an identity that doubles, searches, loses itself. The skin is both flesh and transparency, a presence slipping away yet impossible to forget. It is beauty that crosses time without asking permission.
Stone holds the breath of those who are no longer here. Marble speaks in silence, in its immobile grace—a body that seems to still caress the air. Light glides over sculpted folds, whispering a love story that refuses to be forgotten.
Red fades into grey, but love knows no end. It endures in silence, in time that passes without erasing, in the form that remains even when everything else seems to disappear. It is not a farewell but a heartbeat changing rhythm, a fire transforming into ashes—yet never ceasing to warm.